Thursday, May 9, 2019

The film Black Swan explores and critiques cultural ideas concerning Essay

The film moody Swan explores and critiques cultural ideas concerning women - Essay ExampleIn many ways, the ballet is the epitome of the misogynist fantasy, women who are represented as virginal and without sexuality, but with every movement of every muscle highlighted and visible. The gr expel choreographer, George Ballanchine, wanted his ballerinas to have no weight, to eat nonhing, and to appear to be children rather than grown adults. inside the framework of the ballet, the dream of female fragility is played out through extremes of physical contortion and athleticism, which is presented to await as if it is not. The film, pitch-b omit Swan (2010), provides context for the nature of the life that women lead. Woman have always been cumber to live through the expectations put on them by society, trying to meet impossible standards without true credit for how impossible the expectations that have been put on them are to meet. The expectation of perfection, the need to be all things, creates a pressure that often turns inward into self-mutilation and destructive behaviors. In the case of the lead character in Black Swan (2010), the critique on the culture of women explores the nature of striving for perfection and the dangers that lurk within the compete to meet the expectations that are impossible to achieve. ... ecretaries for organizations, and do little within the home towards maintaining the daily chores, women are not allowed that luxury to let go of any sphere without facing failure. The ballerina, is first, an athlete. She performs on her toes, severally movement of each muscle under her control so that she can turn, fly, twist, and land without appearing to be putting in any effort. She must be in peek condition, but her body must be devouring(a) of any body fat and lean without the bulge of muscle. Her representation is frail and fragile upon the stage, despite the authorisation and prowess that is required to create the dance. Her life is a contrast of needs, her impossible task set to prove her fail. Few can achieve the balance, and all those who cannot, step away feeling like failures. The most ill-famed relationship in the recent history of the ballet is that between the choreographer George Balanchine and the ballerina Gelsey Kirkland. Kirkland wrote a book that depict her experiences with Balanchine as he pushed his dancers to perform. He would tell his dancers must see the bones, eat less, and eat nothing (Freidler and Glazer 15). He led his dancers in what Kirkland is quoted as calling a concentration populate aesthetic (Gordon 124). Kirkland suffered from bulimia and anorexia nervosa, as well as drug addiction from taking pills to balance her lack of nutrition and energy. Her experience was painful, stressful, and full of the turmoil that women face as they strive to balance on their toes and be all things in the process. The metaphor of the ballet provides a rich textual dialogue about the clog of being a woman in todays society. Unfortunately, as much as it is a metaphor it is also an explicit truth that the expectations in the ballet are

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